What happens to a writer when he is no longer surrounded by his own language and reality? Emigres, exiles use a kind of cunning to adapt and continue functioning as writers, but they have to make so many adjustments that some fall silent. Oleg Yuriev examines some famous literary exiles to conside
Relief at being freed from the deadening Soviet tradition of grandiose literary anniversaries, and socialist realism’s didactic canonization of the Tolstoyan panoramic novel may have something to do with the comparatively muted Russian response to this year’s centenary of Lev Tolstoy’s death. But
